![]() Show Mode, Audition Window, Arm, and Autoload actions also have a Toggle option to invert the current setting of the cue.įor additional actions please raise a feature request at github Variables available (TCP mode only) Variable There are presets included for most of these actions. The next action or feedback inserted will have the Unique ID already filled in. Sets the continue mode of the selected cue.Ĭopies the Unique ID of the cue at the Playhead to actions and feedbacks. Set / Unset the Autoload property of the selected cue. Set / Unset the Arm property of the selected cue. Set / Unset the Hold last frame property of the selected cue. Set / Unset the Infinite Loop property of the selected cue. Increases the End Time by given time for the selected cue.ĭecreases the End Time by given time for the selected cue. Increases the Start Time by given time for the selected cue.ĭecreases the Start Time by given time for the selected cue. Increases the duration time by given time for the selected cue.ĭecreases the duration time by given time for the selected cue. Increases the postwait time by given time for the selected cue.ĭecreases the postwait time by given time for the selected cue. Increases the prewait time by given time for the selected cue.ĭecreases the prewait time by given time for the selected cue. Set Master override for Midi, MSC, SysEx, OSC, Timecode, Art-Net On or Off Show or Hide the Override Controls Window. Does not move the playhead.Įnable for Show Mode, Disable for Edit Mode. Panic (Cue/ID) over time specified if Playing. If the specified cue is playing, this command has no effect. Preview the selected cue without moving the Playhead. Un-pause all paused cues in the workspace. Pause all currently running cues in the workspace. Resetting stops all cues, returns the playhead to the top of the current cue list, and restores any temporary changes made to cues (such as retargeting via a Target cue or adjustments using a "live" OSC method.) Tell the workspace to panic over time specified. A double panic will trigger an immediate hard stop. A panic is a brief gradual fade out leading into a hard stop. e.g., playback stops, but reverbs decay naturally. Stop playback but allow effects to continue rendering. Tell the current cue list of the given workspace to GO. If unchecked, the time left will be adjusted by 1 second for a more accurate count-down.Įnter a passcode if needed for the QLab workspace.Įnter the workspace title or ID to control a specific QLab workspace, enter 'default' or leave blank to control active/default workspace.ĭropdown selection to limit control to a specific cuelist. If checked, the variable r_left will display 0.1 seconds when less than 5 seconds. This is required for variables and feedback. You can enter 127.0.0.1 if Companion is running on the same computer.Ĭheck to enable TCP mode. Configuration SettingĮnter the address of the QLab computer. While QLab3 is detected, some features may not work. This may cause a noticible increase in network traffic. This module adds a TCP mode option to the QLab module.ĭue to the nature and volume of information feedback and variables are only available in TCP mode. You can use QLab for 2 channel audio and 1 screen video without When you are done designing, switch to “show mode” and run your show just by pressing “GO”. QLab allows you to lock in exactly how you want the light, sound, and video to play during your performance. Don’t forget we have full-resolution “Test-Clips” available for free to download and test with your projection-system so you can check the quality for yourself before purchasing.QLab makes it simple to create intricate designs of light, sound, and video, which you play back during a live performance. ![]() Be aware the “reviewable” files are lower in quality, 2-5 million bps, than the “actual” files you will be purchasing. All files are reviewable in their entirety on the ORDER-FORM page, this way you know exactly what you are getting. A very small percentage may not, only because there is nothing in the scene that would normally be in motion. These files are, for all intents and purposes, video clips. They are formatted in the 16×9 HD aspect ratio. Be aware that although these clips are rendered to NTSC standards they have been used in PAL countries with no problem and great success. The files are rendered at 30 frames-per-second, 1080 x 720 pixels in size, with a Variable bit-rate of 14-20 million bps in the NTSC broadcast standard. ![]() These files are known to play on both MAC and PC (Windows) computers. In our case video only, no audio is embedded in the files you purchase. MP4 is a file format created by the Moving Picture Experts Group (MPEG) as a multimedia container format designed to store audiovisual data. The files you are purchasing are designated as.
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