I always make sure to have a damp cloth handy for sticky fingers. It’s magical to watch them work and create art from their heart. As a teacher I am much like I would be as a parent – I am there to answer questions or lend a hand if asked, but not be involved in the child’s creative process. I find that when the glue is in a bowl with a brush then the children will be less likely to squeeze too much glue on their paper.Īfter setting the table with the materials and giving each child a piece of white paper, I just stand aside and let them work. I put the glue in bowls and placed an inexpensive brush in each bowl (I save the brushes that come in paint sets for working with glue). I presented the children in my art class with both options. Let me tell you how to set up your table and the simple supplies you will need…ĭepending on the time you have or the interest of your child, you can either set out some pre-cut shapes, or you can let you child cut their own shapes. As a child I think it was the excitement of using glue that drew me in! But then as I moved on to art school, I really just loved the opportunity to work on composition and balance.Īn easy way to introduce collage to your child is to start with a few baskets of basic paper shapes in lots of different colors, and let your child explore. I have always loved a good collage project. SEE MORE AND TRANSFORM YOUR MATH TEACHING HERE. They are especially suited to children who don’t like math, lack confidence, don’t understand math the way they are currently being taught, or just want to play. These are the magic lessons where children really see, understand, and can apply math concepts. The lessons are easy for teachers and parents to use, in class or at home. Fun Math is an easy to teach, highly effective math curriculum based on play and hands-on learning.Īll the lessons are designed to be fun and memorable, so children enjoy their lessons and feel confident.
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We also have a HiDrive app to give you access from your smartphone: just sign in with your username and password. HiDrive Deutschlands genialster Cloud-Speicher. The SDK provides support for login with HiDrive authentication, reading and writing to HiDrive APIs. Access your customer data and manage your products in your personal STRATO Customer. Mit dem Online-Speicher HiDrive von STRATO sichern Sie ganz einfach Ihre Bilder, Dokumente und Videos. This multipart tutorial walks you through integrating HiDrive into an Android app. My original feedback was this The user configuration on strato hidrive server. Securely back up videos, pictures, contacts, music files and calendars from your device to the cloud. When you reach the login page, check whether the Caps Lock feature is turned on while typing your username or password.If you are not able to login or reset password is because your account is. If Caps Lock is on, all the letters you type will be capitalized. Open the HiDrive web app in your browser.Therefore, you may be experiencing login problems. Strato HiDrive is a popular cloud storage platform that is widely used in Europe. If you cannot log in even though your username and password are correct, clear the cache of the internet browser you use (Google Chrome, Mozilla Firefox, Opera, Internet Explorer, Microsoft Edge, etc.). Click Download HiDrive > macOS Software in the footer bar. After the download is complete, start the installation by opening the. The installation wizard will guide you through the next steps. Now you can integrate your ASUSTOR NAS with HiDrive, to create more. HiDrive is compatible with iPad, iPod Touch. Once you do this, the problem will most likely be resolved. So you have your files wherever you need them. Make sure there is no problem with your internet connection.Upload documents, view photos and send them to your friends with the HiDrive App. If you're connecting via Wi-Fi, you can try connecting to any website to check if you've entered your network password correctly. If you are using VPN software, try disabling it.If you are having problems with the Wi-Fi connection, try connecting using an ethernet cable. The IP addresses of the VPN you are using may be blocked by the website's firewall. If you use VPN software for privacy purposes, be aware that websites may collect information about you when you disable it.
His exuberant celebrations and looks straight out of a teenage romantic film, a genre he loves, mean he fits the bill.ĭuplantis is a product of a sport-obsessed family with their own vaulting apparatus in their Louisiana garden. The height of world-record vaults during the wood era increased 1’18, as shown in Exhibit I. Wood era: From 1850 to 1898, poles were generally ash or hickory.6 British vaulters produced all but one of the 24 world records that were set during this 48-year period. Exhibit II Pole Vault World Records and Product Innovations. I think that there's going to be a lot more to come."Īlso known as "Mondo", the Olympic gold secured by Duplantis boosted his status in a sport searching for star quality since the retirement of Jamaican sprint legend Usain Bolt in 2017. Exhibit I World Records and Pole Performance Eras. "I don't think this is the highest I'm ever going to jump. I'm really happy," said Duplantis, who believes he could put on an even better performance when he returns to Belgrade next week for the World Indoor Championships, which is another title missing from his record. It was really hard fought over these past two years. Then on Saturday, he broke his own mark with a 6.18 meter vault on his first. I've never had a height that has given me that much trouble, so it's a very good feeling. Last weekend in Poland, the US-born Swede cleared 6.17 meters in the pole vault to set a new world record. He had made several attempts to clear 6.19m previously, including at the Tokyo Games last August, and revealed he might have tried as many as 50 times. “Maybe I’ll keep saving.The Olympic and 2018 European pole vault champion will now be eager to complete his set of gold medals at the World Athletics Championships in Eugene, Oregon, in July. I feel great doing it.”Īs for what he will spend his bonus on, Duplantis is uncertain. I try to eat better, I have a better sleep schedule, take recovery more seriously and train harder. This is my first year as a professional – I’m not a college kid any more – so I wanted to take it pretty professionally. “I wasn’t going out every night, but I tried not to let athletics overpower me where I couldn’t live any life,” he said of his time as a student. When asked about his brilliant run of form, Duplantis said that leaving Louisiana State University to turn professional had made a massive difference. But if I have a bit of energy left, I’ll try to crank it up.” He cleared a height of 6.15 meters in the pole vault to claim the outdoor world record in addition to his indoor world record that his set in February at 6.18 meters. “I want to jump high, I want to break the world record but first you’ve got to win and that’s the main goal. Swedish pole vaulter Armand Duplantis cleared 20 feet 4 1/2 inches (6.21 meters) to break his own world record at the world championships on Sunday and he continued to win comparisons to actor. Isinbayevas 2008 mark was a world record at the time and her 2004 victory in 4.91 m ( 16 ft 114 in) had been the first womens world record in the pole vault. Who knows how high he could eventually go now? “Every competition I go into I want to win and that’s the main goal,” he said afterwards. The Olympic records for the event are 6.03 m ( 19 ft 914 in) for men, set by Thiago Braz da Silva in 2016, and 5.05 m ( 16 ft 634 in) for women, set by Yelena Isinbayeva in 2008. By 14, Duplantis had already vaulted higher than a London double-decker bus. One crew member said there is always something to do aboard the replicas of Christopher Columbus’ ships. Here, members of press meet some of the crew on April 19. Replica ships of Columbus’ Pinta, foreground, and Nina visited Beaufort last week at the Downtown Marina. This is a replica of the Nina’s crew roster. Even better, this blast-from-the-past won’t leave your wallet wailing: Admission is only 8 for adults, 7 for seniors and 6 for students ages five to 16. In 1992, the quincentenary of Columbus’ first voyage, replicas of his ships the Niña, Pinta and the Santa Maria arrived in Corpus Christi, Texas after sailing from Spain and touring the US East Coast. The Pinta replica is a larger version of the. In fact, Archeology Magazine called the Nina the most authentic replica Columbus-era ship ever built. The last of Corpus Christi’s Columbus replica ships has sunk. One crew member said there is always something to do aboard the replicas of Christopher Columbus’ ships. The Foundation says the Nina was built by hand, without power tools, making it the most historically correct Columbus replica ever built. Archaeology magazine called the ship “the most historically correct Columbus replica ever built.”īoth ships tour together as a new and enhanced “sailing museum” to educate the public and school children on the “caravel,” a type of Portuguese ship used by Columbus and many early explorers to discover the New World.Ĭrewmen add stain to the deck hatches. The least was known about the Pinta, and after the first voyage she disappeared from history without a trace. The Nia, the Pinta and the Santa Maria are synonymous with the first voyage of Columbus. The replica of the Nina was built completely by hand and without the use of power tools. The Present Day Replica of Columbus' Famous Ships, Nia and Pinta - The Premier Italian American Newspaper Since 1931 - At left is the Nia, completed in 1991 and the Pinta, completed in 2005. The Pinta and the Nina, replicas of Columbus’ ships, sailed into Port Royal Sound recently and were open to the public for tours at the Downtown Marina in Beaufort. A couple of weeks ago we visited Peoria, Illinois. Teachers or organizations wishing to book a 30-minute guided tour with a crew member should call (787) 672-2152.Īdmission is $8/adutls, $7/seniors, $6/Students (5-16), and Children 4 and under are free.Photo above: A crewman leans over the side of small boat to apply a stain to the hull of the Nina which helps keep corrosive salt water out. The Nina and Pinta, replicas of two Columbus’ ships, offer tours to the public. The ship was bound for Costa Rica, where it was filmed in the Ridley Scott production of 1492. Both ships tour together as a new and enhanced “sailing museum” for the purpose of educating the public and school children on the “caravel,” a Portuguese ship used by Columbus and many early explorers to discover the world. In December 1991, the Niña set sail from its shipyard in Brazil with a crew of eleven. Historians consider the caravel the space shuttle of the fifteenth century. She is a larger version of the archetypal caravel. The Pinta was recently built in Brazil to accompany the Niña on all of her travels. The ‘Niña’ was also used in the production of the film ‘1492’ starring Gerard Depardieu and directed by Ridley Scott. Archaeology magazine called the ship “the most historically correct Columbus replica ever built.” The craftsmanship of construction and the details in the rigging make it a truly fascinating visit back to the Age of Discovery. The Niña was built completely by hand and without the use of power tools. The Nina and Pinta Historically Accurate Columbus Replica Ship The Nina is a replica of the ship on which Columbus sailed across the Atlantic on his three. While in port, the general public is invited to visit the ships for a walk aboard self-guided tour. The Niña and Pinta, replicas of Christopher Columbus' ships will be open to the public for touring at the Loading Dock in Grafton. The same designs are used on the clothes, along with jars of sweets and seating. An installation on the wall of paint tins pours graphical lines of paint down the walls and onto the floor. Without needing to use any tech, the space was a sensory experience with the focus being on the colour palette. Whilst the space itself is incredibly dramatic, the overall aesthetic is not in competition with the sneakers on display and they still manage to be the star of the show.īenetton created a ‘rainbow theatre’ pop-up in Printemps that was bold and eye-catching. The high ceilings, narrow width and runway-like depth are immediately noticeable in this extraordinary store. As the store is located in the ‘City of Angels’ the founders wanted to conjure up an image of ‘heaven’. Sneaker brand APL’s first store in LA is defined by its long narrow space that is both dramatic and serene. Ninety-thousand used plastic bottles have been obtained to fill the stores which is shockingly the amount that are purchased globally every six seconds. The stores will be closed for three days over Fashion Week to keep the focus on the displays and, ultimately, the message. From the outside the windows are filled with empty plastic bottles to highlight the new collection’s use of recycled plastic. The designer has filled her London stores with plastic bottles to make a statement about waste. Luxury handbag designer Anya Hindmarch has launched the ’I am a plastic bag’ collection for London Fashion Week in favour of a catwalk show. If you're an eager follower of Rateliff & the Night Sweats, you may need this for the rest of us, waiting to see what album two holds may be more prudent. The set closer is "Late Night Party (Out on the Weekend, Version I)," a slow, intimate, stripped-down shuffler it's like the demo version of its earlier counterpart. The Richard Swift-produced "Just to Talk to You" is a solo acoustic blues that harkens back to Rateliff's years as a solo singer/songwriter with Rounder. "What I Need" is a B-side from the Howling at Nothing EP - and sounds like it. The concerts are sold out, but there are resale tickets available. Get the Nathaniel Rateliff & The Night Sweats Setlist of the concert at Zilker Park, Austin, TX, USA on Octofrom the The Future Tour and other Nathaniel Rateliff & The Night Sweats Setlists for free on setlist. Tuesday, August 24, and Wednesday, August 25. This tune has an intro and middle eight that comes uncomfortably close to the Band's "The Weight," while the melody adds up to what Jackson Browne's "These Days" would sound like arranged for horns and a stronger singer. Nathaniel Rateliff & the Night Sweats play at Red Rocks Amphitheatre at 8 p.m. The live version of "Wasting Time" was cut at the Stax Soul Museum by Sirius XM. It took Nathaniel Rateliff & the Night Sweats less than five years to become one of the most. All are studio versions of concert favorites, including the horn-drenched rave-up "Parlor," the Little Willie John-esque fingerpopper "I Did It," and the soul review-styled second version of "Out on the Weekend" (sequenced first). The first three tunes were recorded in a Colorado living room and produced by drummer Patrick Meese. As such, it's pretty much a fans-only affair. See scene descriptions, listen to previews. 16 as part of the band’s semi-annual Holiday Show, promoter AEG Presents announced today. Complete list of Nathaniel Rateliff & The Night Sweats music featured in movies, tv shows and video games. This EP is what happens when a band has to have something new to sell while on the road and doesn't have enough time to cut a proper follow-up album.Ī Little Something More From is an eight-track stopgap. Denver’s Nathaniel Rateliff & the Night Sweats will headline Ball Arena on Dec. In addition, their singles "S.O.B." "I Need Never Get Old," and "Look It Here" have all received massive airplay and streaming. Their debut achieved gold status - something quite rare in the digital age (especially for a first outing). They've played from coast to coast and beyond. After issuing their self-titled debut album in 2015, Colorado's indie roots rock and soul outfit Nathaniel Rateliff & the Night Sweats have worked the road hard. I get to try stuff I normally wouldn't play or just missed out on and some of it I end up loving like The Medium which is one of the best times I've had this year with a game and I never would have gave it a look without Gamepass.Īnd for every Narcos, Mandalorian, The Boys dope documentary, fire series and/or original movie on Netflix/Disney+/Amazon Prime etc there are plenty of duds on those platforms too. You're right though, this is why I love GP. For every MLB the Show or Outriders (which itself was broken) there's a Dark Alliance, 12 Minutes, The Ascent or Aragami 2. KURUPTION!!! said True, but when MS is always talking this "Day One on Gamepass" nonsense and then you get mediocre scores it brings the trolls out. And on September 28th, Lemnis Gate, the time-bending turn-based first-person shooter (yes, I know it sounds nuts - check out our Lemnis Gate preview for more), finally joins the service after suffering a delay last month. Also, on the same day, Subnautica: Below Zero, which is set two years after the original Subnautica, comes to Game Pass - you'll return to Planet 4546B to uncover a deadly cover-up. On September 23rd, we have the gorgeous open-world adventure game Sable, where you'll guide Sable through her rite of passage, solve puzzles, and explore the mysterious world by hoverbike. Sticking with the animal theme with Skatebird, you'll be kick flipping and grinding your way to a completion as a cute skateboarding bird - it doesn't get much better than that! A day later, Aragami 2 joins the service, and you'll play as an a*sassin that can control the shadows. I Am Fish is a physics-based adventure game where you have to reunite four fish who get separated from their home in a pet shop fish tank. Both I Am Fish and Skatebird look interesting and join the service on September 16th. I hope you've all got room in those backlogs of yours, as you'll definitely need to squeeze in a few of these games coming to Game Pass over the next two weeks. Subnautica: Below Zero (Cloud, Console, and PC)Īstria Ascending (Cloud, Console, and PC) Lost Words: Beyond the Page (Cloud, Console, and PC) Aragami 2, Subnautica: Below Zero, Sable, Lemnis Gate, I Am Fish, Skatebird, Superliminal, Phoenix Point, Astria Ascending, Flynn: Son of Crimson, Lost Words: Beyond the Page, Unsighted, and Tainted Grail: Conquest are all coming to Xbox Game Pass soon.įlynn: Son of Crimson (Cloud, Console, and PC) A whopping 13 games are coming to Xbox Game Pass over the next two weeks, with eight joining the service on day one. The +Industry modules on an Ark are incredibly powerfull and probably the only ones you should be using. Closest comparison I have is United Empire Titan of Industry which is +5% industry per level and is in the final tier instead of the one before)) Your starting hero is a Voyadani Guardian which I consider to be the best system administrators (Guardian has +80% Industry and Voyadani has +10% FIDSI per hero level (why this is so crazy powerful I don't know. I agree with what has been mentioned so far but I would like to point out 2 additional points. So yeah, the Vodyani aren't as crippled as I, and maybe others, though. Before a few days ago, I though Vodyani had this crippling flaw where researching population-based improvements didn't give them as much of an advantage as Planet-based improvements like Xeno-Industrial Infrastructure and Public-Private Partnerships. It turns out, in terms of System improvements and Laws based on individual population, like Interplanetary Networks, Xenotourism Agencies, and the Super-Tax Act, the planetary population for Vodyani function the same as any other empires. So I was pleasantly shocked when I ended the turn and the system's production spiked by 45 Dust (+3 Dust x 15 Pop). Still, even that small amount would help. Originally, I thought that if even 1 planet in the system had a luxury deposit on it, then I would get another 15 Dust (+3 Dust x 5 Pop) on the system as opposed to 5 Dust (+1 Dust x 5 Pop). So, on a hunch, I researched Xenotourism Agencies and built the improvement on Eden. Seeing as this was the most developed of my 3 systems, I needed to do something fast. I was getting low on Dust because I was running a deficit to keep my leecher and defence fleets operational, as well as recon ships that were scouting other constellations. In a game I was playing a few days ago, I had a system named 'Eden' with 5 Vodyani population overall, spread across 3 out of 5 planets, all of which had luxury resources Transvine and Ionic Crystal specifically. However, this only applies for the Empire population bonuses. If you check the system population, you'll see that the population will be, for example, 3 overall, even if you have 2 or 3 planets with 3 Vodyani population each. So, we all probably know that Vodyani population grows uniformly across all colonizable planets in the system. I've been mainly playing and studying the Vodyani since September, and only now do I understand how they specifically work population-wise. Use heroes on fleets if you expect fights. You want to unlock planet types, ship types and weapon types asap. Ah and if you spawn completely alone, you are screwed! Yes you can become self sustaining, no need to leech, but that's about at turn 100-150. You need dust, you need ships, you need to leech, you need to use your arks to brute force stealing systems if you spawn close to another empire. Pirates are your worse enemy, just turn them off.įor me, Vodiany should be played really aggressive, like cravers. It also consumes population, so you WILL end up killing minor civilizations, thus you can't just farm one planet. Essence is a requirement, but it can be hard to get. You need to play aggressive, you need to protect your harvesters. Early on you can not keep up with your competitors, you expand very difficultly. Luminieries does it the easiest, you do it the best. Towards endgame you can expand better than anyone. Your entire system, population and upgrades, can be moved if you find a way better system. Colonization is not needed, just park your ark and your population does all the job. While yes, population is stifled at growth (-50% food effectivness), each and every pop unit "projects" on all worlds you can colonize. Can make late-mid game level of power ship (the Ark) instantly with no monetary cost. The Vodyani are by far the strangest to play, the msot different however they're also the strongest endgame race (by far). Show Mode, Audition Window, Arm, and Autoload actions also have a Toggle option to invert the current setting of the cue.įor additional actions please raise a feature request at github Variables available (TCP mode only) Variable There are presets included for most of these actions. The next action or feedback inserted will have the Unique ID already filled in. Sets the continue mode of the selected cue.Ĭopies the Unique ID of the cue at the Playhead to actions and feedbacks. Set / Unset the Autoload property of the selected cue. Set / Unset the Arm property of the selected cue. Set / Unset the Hold last frame property of the selected cue. Set / Unset the Infinite Loop property of the selected cue. Increases the End Time by given time for the selected cue.ĭecreases the End Time by given time for the selected cue. Increases the Start Time by given time for the selected cue.ĭecreases the Start Time by given time for the selected cue. Increases the duration time by given time for the selected cue.ĭecreases the duration time by given time for the selected cue. Increases the postwait time by given time for the selected cue.ĭecreases the postwait time by given time for the selected cue. Increases the prewait time by given time for the selected cue.ĭecreases the prewait time by given time for the selected cue. Set Master override for Midi, MSC, SysEx, OSC, Timecode, Art-Net On or Off Show or Hide the Override Controls Window. Does not move the playhead.Įnable for Show Mode, Disable for Edit Mode. Panic (Cue/ID) over time specified if Playing. If the specified cue is playing, this command has no effect. Preview the selected cue without moving the Playhead. Un-pause all paused cues in the workspace. Pause all currently running cues in the workspace. Resetting stops all cues, returns the playhead to the top of the current cue list, and restores any temporary changes made to cues (such as retargeting via a Target cue or adjustments using a "live" OSC method.) Tell the workspace to panic over time specified. A double panic will trigger an immediate hard stop. A panic is a brief gradual fade out leading into a hard stop. e.g., playback stops, but reverbs decay naturally. Stop playback but allow effects to continue rendering. Tell the current cue list of the given workspace to GO. If unchecked, the time left will be adjusted by 1 second for a more accurate count-down.Įnter a passcode if needed for the QLab workspace.Įnter the workspace title or ID to control a specific QLab workspace, enter 'default' or leave blank to control active/default workspace.ĭropdown selection to limit control to a specific cuelist. If checked, the variable r_left will display 0.1 seconds when less than 5 seconds. This is required for variables and feedback. You can enter 127.0.0.1 if Companion is running on the same computer.Ĭheck to enable TCP mode. Configuration SettingĮnter the address of the QLab computer. While QLab3 is detected, some features may not work. This may cause a noticible increase in network traffic. This module adds a TCP mode option to the QLab module.ĭue to the nature and volume of information feedback and variables are only available in TCP mode. You can use QLab for 2 channel audio and 1 screen video without When you are done designing, switch to “show mode” and run your show just by pressing “GO”. QLab allows you to lock in exactly how you want the light, sound, and video to play during your performance. Don’t forget we have full-resolution “Test-Clips” available for free to download and test with your projection-system so you can check the quality for yourself before purchasing.QLab makes it simple to create intricate designs of light, sound, and video, which you play back during a live performance. Be aware the “reviewable” files are lower in quality, 2-5 million bps, than the “actual” files you will be purchasing. All files are reviewable in their entirety on the ORDER-FORM page, this way you know exactly what you are getting. A very small percentage may not, only because there is nothing in the scene that would normally be in motion. These files are, for all intents and purposes, video clips. They are formatted in the 16×9 HD aspect ratio. Be aware that although these clips are rendered to NTSC standards they have been used in PAL countries with no problem and great success. The files are rendered at 30 frames-per-second, 1080 x 720 pixels in size, with a Variable bit-rate of 14-20 million bps in the NTSC broadcast standard. These files are known to play on both MAC and PC (Windows) computers. In our case video only, no audio is embedded in the files you purchase. MP4 is a file format created by the Moving Picture Experts Group (MPEG) as a multimedia container format designed to store audiovisual data. The files you are purchasing are designated as. The display briefly flickers if a "media control pause/resume/pause-or-resume" command/task is issued via a NFC tag. "pause/resume" neither works when written via MacroDroid (root) nor when written via NFC Tasks Pro (without root priviledges). Most tasks are written via the MacroDroid App which has root priviledges. This music box should be controlable by NFC tags - except for turning the smartphone on. I am setting up a "music box" for my child similar to a Tony Box based on a Galaxy A3 2016. can be reproduced on same smartphone model with Lineage OS 19.1 unofficial (Android 12) without any root permissions.tried these NFC tag writers as well (but they could not write media control commands onto NFC tags) : NFC TagWrite by NXP, NFC Writer by Trigger, NFC/RF Reader and Write (by GreenlifeiInfo Tech), NFC-Tags write and read (by Yalintech), NFC Tag Writer & Reader (by Winning Studios Apps).NFC Writer Apps: MacroDroid (root permissions), NFC Tools PRO (default user permissions).media player app: VLC Media player (but also tested Foldplay, Vanilla Music, mMusic Mini, Audify Music, AOSP Music+, Schlichter Music-Player, Simple Music Player, Lineage OS Music Player 3.0).OS: Lineage OS 17.1 official (Android 10).What might cause this issue and how can I solve it? Technical Details There is no difference between running the media player in the background or in the foreground. However, the currently running music is not paused and paused music is not resumed. The smartphone recognizes these commands/tasks and prints them to the display when a NFC tag with one of these commands written onto it is held onto the smartphone's NFC reader. Quitting the media player (with root permissions) and shutting down the smartphone work. All media control commands/tasks work fine except for "pause", "resume" and "pause/resume". Starting the media player playing a certain playlist works fine. to control the media player (Vol +/-, next/previous title, pause/resume, quit media player) and.to play different playlists in a media player app,. |
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